This is an extract from an interview with Tim Etchells, Artistic Director of Forced Entertainment – read the full interview here.
In much of the Forced Entertainment work and in my solo practice there are moments, events, scenes, actions and texts that effectively refuse to confirm themselves as one thing or another: it’s funny but it’s not at all funny, or it’s extremely aggressive and extremely apologetic at the same time. We often, I think very deliberately, put these things in a close proximity – creating work that pushes and pulls an audience member at the same time, in two directions.
We don’t mind moments in shows where everybody laughs but we’re also quite known for those moments where a few people are laughing and other people are annoyed with them because they’re laughing. We like the tension that comes from this kind of duality.
At one level, for me, the work sets out to create situations or feelings or exchanges that aren’t reconcilable. Something is profoundly not finished or unbalanced or unanswered in what we’re doing. There’s a problematic lack of resolution in what you’re left with. A key understanding about art making for me is that it’s not so much about making statements as it is about opening space. It’s about wanting to leave the audience with a problem rather than solving it. I mean that’s Brecht of course – no catharsis, leave people questioning.